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Bartok’s Mikrokosmos is one of the milestones in the pedagogical piano repertoire – and yet it is also far more than a “classical” piano primer. These 153 piano pieces, organised in ascending order of difficulty.

Bartok’s Mikrokosmos is one of the milestones in the pedagogical piano repertoire – and yet it is also far more than a “classical” piano primer. These 153 piano pieces, organised in ascending order of difficulty.

Bartok’s Mikrokosmos is one of the milestones in the pedagogical piano repertoire – and yet it is also far more than a “classical” piano primer. These 153 piano pieces, organised in ascending order of difficulty.

This new volume in Schirmer's Library of Musical Classics brings together Books I and II of Bach's classic repertoire.

Contents: Invention in C Major, BWV 772 • Invention in C minor, BWV 773 • Invention in D Major, BWV 774 • Invention in D minor, BWV 775 • Invention in E-flat Major, BWV 776 • Invention in E Major, BWV 777 • Invention in E minor, BWV 778 • Invention in F Major, BWV 779 • Invention in F minor, BWV 780 • Invention in G Major, BWV 781 • Invention in G minor, BWV 782 • Invention in A Major, BWV 783 • Invention in A minor, BWV 784 • Invention in B-flat Major, BWV 785 • Invention in B minor, BWV 786

This publication includes the significant work 'Allegro Barbaro' as well as 5 other piano compositions utilizing many central European folk based melodies. All works are considered advanced repertoire.

In 1945 Bela Bartok described 'Mikrokosmos' as a cycle of 153 pieces for piano written for 'didactic' purposes, seeing them as a series of pieces in many different styles, representing a small world, or as the 'world of the little ones, the children'. Volume 3 contains Nos. 67 - 93

All 32 sonatas from volumes one and two (edited by Von Bülow/Lebert) have been combined into one, giagntic comb-bound volume.
696 pages.

Concert pianist Robert Taub, author of Playing the Beethoven Sonatas, brings forth a major, newly researched edition, with insightful commentary about teaching and playing each sonata.

Two copies needed for performance
Urtext Edition
The Second Concerto in B flat major is presented here in a piano reduction. The edition, of our customary Urtext quality, is arranged for practical use and based on the Beethoven Complete Edition, for which Beethoven’s autograph served as the source.

Urtext Edition, Two copies needed for performance
the Fourth Concerto in G major op. 58 is presented in a piano reduction for two pianos. This edition, in the quality one has come to expect from an Urtext, is based on the Beethoven Complete Edition and is designed for practical use.

Complete Works for Piano Solo – Volume 3
Contents: Etude after Chopin • Rondo after von Weber • Presto after Bach (1st and 2nd versions) • Chaconne by Bach (arranged for the left hand) • Gavotte by Gluck • Impromptu by Schubert, Op. 90, No. 2 (Study for the left hand) • and more . . .

Contents: Ballade No. 1, Op. 23 • Ballade No. 2, Op. 38 • Ballade No. 3, Op. 47 • Ballade No. 4, Op. 52

Two Pianos, Four Hands. 2 Copies needed to perform.

Clara Wieck-Schumann (1819–1896), who married Robert Schumann in 1840, was a fascinating artistic figure – both as a pianist and as a composer. While her legendary virtuosity has faded away for ever, her works still live. Clara already began composing when she was a child: her opus 1 (of a total of 23 opera) was published when she was a mere 11 years old. This volume contains a selection of some of her most valuable compositions for piano, including a very worthwhile, hitherto unpublished “Romance”.

Series: Schirmer Library of Classics; Composer: Carl Czerny; Editor: Giuseppe Buonamici; 56 pages

This newly prepared publication of the Complete Piano Sonatas of Franz Joseph Haydn (1732-1809) is intended for performance and study, and is based on the original text edited by Karl Pasler. Each Sonata is marked with the Hoboken, Feder/Grove, and Landon/Wiener Urtext numbers.

Brahms‘ first piano works deal with the classical form of the sonata. The Scherzo op. 4 belongs to this context inasmuch as it can be considered as an independent sonata movement. However, with the melody of the Old German Minnelied “Verstohlen geht der Mond auf” used for the slow movement of the first sonata, and the lines from a poem by Sternau that preface the second movement of the Sonata op. 5, Brahms also proclaims his allegiance to Romanticism.

2009 is Mendelssohn’s anniversary year and this has occasioned us to publish in addition to the already existing “Songs without Words” nearly all of his piano compositions in two new extensive volumes (HN 860 and HN 861). All of the works (see Contents) have been meticulously revised and extensive commentaries reflect the latest in scholarly research. Thus we are able to offer a comprehensive Urtext edition of Mendelssohn’s piano works that is unique in this form.

2009 is Mendelssohn’s anniversary year and this has occasioned us to publish in addition to the already existing “Songs without Words” nearly all of his piano compositions in two new extensive volumes. All of the works (see Contents) have been meticulously revised and extensive commentaries reflect the latest in scholarly research. Thus we are able to offer a comprehensive Urtext edition of Mendelssohn’s piano works that is unique in this form.

(Piano Collection). Contents: The Adieu * Agitation * Boat-Song * The Brook * Confidence * Consolation (Still, Still With Thee) * Contemplation * Delirium * The Departure * Duet, Op. 38, No. 6 * Elegy * The Evening Star * Faith * The Fleecy Clouds * The Flight * Folk-Song * Funeral March * Homeless * Hope * Hunting Song * The Joyous Peasant * and more

Throughout his life Mozart composed individual pieces for the keyboard. This wealth of material offers us an exceptional insight into his musical development. For the first time ever, we are now offering all of these works in a single edition.

Franz Schubert’s piano works belong to pianists’ core repertoire. This volume contains the piano works that are played the most: the two collections of four Impromptus (D 899 and D 935) as well as the six Moments Musicaux (D 780).
Urtext Edition